When did you know this was what you were going to do? Was there a specific moment?
I have always been creative and enjoyed working on small projects and building things. I love film, theatre, history, and fashion became an outlet where I could combine all of those interests. Through fashion, I can create characters and entire worlds, and seeing something I’ve made come alive when worn by someone is incredibly rewarding.
What is the first thing you created that you are still proud of today?
My first ever project at Central Saint Martins. It was the first time I had sewn anything or even attempted pattern cutting. Although it was extremely difficult to get through, seeing something come together and become wearable was invaluable. It made me realise how powerful creating clothing could be.
Was your training formal or self-taught, and which shaped your practice more?
Mainly self-taught, although during my placement year at university I worked for a milliner, where I learnt couture-level sewing skills, attention to detail, and how to create structures not usually achievable in fashion. I also worked for a British womenswear designer, where I experimented with textiles and volume. Those experiences were really where I developed my technical skills and shaped my practice the most.
What are you working on right now that genuinely excites you?
This recent show is the first major project I’ve completed since my graduate collection. It has really inspired me to keep pushing forward — creating more collections and more independent work. It has even made me consider officially building my own brand.
Is there a project you have been sitting on for a while that you are finally ready to make real?
I have a few projects in mind. I had this collection on the back burner for quite a while, so seeing it finally come to life has been incredibly rewarding. I think there are many more collections to come, whether they are large-scale projects or smaller, more personal ones.
Who would you want to collaborate with — another designer, a brand, an artist, or someone completely outside fashion?
My ultimate dream would be to collaborate with Tim Walker and Shona Heath. The worlds they create together have inspired me endlessly and played a huge role in drawing me into fashion and image-making in the first place.
How do you navigate the tension between creative work and financial sustainability?
I’ve had to take on multiple jobs and work constantly to support my creative practice. It has been difficult to maintain the energy, especially working independently without the structure of tutors or a creative environment around me. But I believe that if you are passionate enough about your work, you will always find a way to bring your ideas and visions to life.
What does the fashion and design industry need to change urgently, in your view?
The industry needs to become far more accessible to people without huge financial backing or existing connections. I’ve seen the same types of people achieve incredible success, while others who are just as talented struggle because they lack the money or opportunities. There needs to be far less disparity between privilege and talent within the industry.
