Issue 01 — Florence Rose cover

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Copenhagen Fashion Week SS26

LONDON NIGHTLIFE

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Dahc Dermur VIII’s 60th Birthday at The Mandrake

Slagland at the Warehouses7

Slagland at the Warehouses is Camp, Playful and Deeply Unserious

A woman with long nails poses dramatically behind a rain-streaked glass pane, with her mouth slightly open and hands pressed against the glass. The background is dark with hints of red light.

The Parties Rebuilding London’s Nightlife

Two women with vibrant hair and bold makeup stand close together at a party, dressed in mesh tops and accessories, playfully touching tongues in a colorful, nightclub-like setting.

Kiss Cam: A Valentine’s Photo Series

A person in a spiked leather mask and jacket holds hands with a person wearing an elaborate headpiece and layered clothing; both look serious, standing in a dimly lit environment.

The Party People Exhibit is a Euphoric Celebration of Nightlife

A person wearing a red floral robe and bold makeup stands indoors, holding a glass of wine. The setting is dimly lit with framed photos on the wall, red curtains, and a small table with a lamp in the background.

Flamingo Club: Soho’s New ‘Old Skool’ Jazz Bar

LATEST

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Books that made the bunny creepy

chappell roan

Chappell Roan and the Politics of Likability

An expressive contemporary painting by artist Dean Fox titled Keeping the Books on the Shelf, featuring a cluttered interior scene with a figure, books, and vibrant yellow flowers in a rich, textured style.

Dean Fox on ‘Keeping the Books on the Shelf’

A moody portrait of the Witch Post band members, featuring a woman in a black tank top and a man in a dark trench coat against a metallic backdrop.

Witch Post on Graveyards, Grunge and Self-Mythology

The book cover of Lost Lambs by Madeline Cash, featuring a hand-drawn illustration of a young girl and the title written in a child-like, expressive font on a pale yellow background.

Lost Lambs: Sincerity Will Save Us All

A portrait of Lauren Auder leaning against a large tree trunk, wearing a brown and black leather jacket and yellow-tinted glasses in soft natural light.

Lauren Auder: ‘I Don’t Want to Make Cool Music’

TRENDING

Courtney Barnett on the digital cover of COLD Magazine. The Australian singer-songwriter is sitting inside a red circular architectural frame, wearing a black suit and white top. Text reads "Courtney Barnett is back".

Courtney Barnett’s Creatures of Habit

Two couples sit closely together on a bench outside a bar at night, each pair kissing. There are drinks on the tables beside them, and the scene has a warm, intimate, and candid atmosphere.

London’s Literary Scene: the Hottest Readings to Find a Lover Who Writes

A person with red hair and pink lipstick, channeling the bold and vibrant style of SOPHIE.

MSMSMSM Forever: Five Years Later, SOPHIE Lives On

A blonde woman in a pink top reclines with her hands behind her head, gazing upward dreamily. Semi-transparent palm trees overlay the image, giving it a surreal effect reminiscent of a still from Mulholland Drive.

Mulholland Drive at 25: What Do Writers, Critics and Academics Have to Say About the Best Film of the Century?

A stylish group of people gathers outside a dimly lit café at night; one Tickety Boo man in a suit stands near a white scooter with a leopard print seat, while others chat by the entrance, dressed in fashionable retro clothing.

Mod Youth Culture Is Back – Gen Z’s 1960s Revival in Pictures

EDITORIALS

Punk Love

Cold Syntax

Before We Could Speak

Cake Sitting as Queer Joy

The Owner

CUM CLOSER
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FEATURES

The book cover of Lost Lambs by Madeline Cash, featuring a hand-drawn illustration of a young girl and the title written in a child-like, expressive font on a pale yellow background.

Lost Lambs: Sincerity Will Save Us All

  • Sihaam Naik
A textile art piece by Tracey Emin titled Is This a Joke, featuring a raw line drawing of a figure and the handwritten text "IS THIS A JOKE" on a cream fabric.

The Post-Nut Clarity of Tracey Emin

  • Victoria Comstock-Kershaw

INTERVIEWS

Dean Fox on ‘Keeping the Books on the Shelf’

Grace Ives on Losing Yourself and Dancing Anyway

“I’m glad that I didn’t grow up in a castle”: Nelio Biedermann on writing Lázár

The Hellp: Fame is a Double-edged Sword

Theatre For One at the Barbican

Rosa Anschütz: Berlin’s Dark Wave Legend Talks Spirituality and Noise

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