Sabato De Sarno, Jacopo Benass on a stage in front of a screen displaying the words in corpo presente and the IED logo. Three red chairs are visible behind them.

Questioning the Body at IED Florence

  • Ritamorena Zotti
Two women sit facing each other on black chairs in front of red curtains. One wears a black dress with a white collar, the other a white textured dress with black details—echoing the chic contrast of Milan Loves Seoul.

Three Brands You Should Know: Milan Loves Seoul

  • Henry Tuppen
A shirtless person with extensive tattoos on their chest, arms, and torso is standing and pulling up blue jeans, partially unzipped, against a plain light background.

Karmine Against the Clean

  • Soria Nicholson
A woman stands behind a frosted, ribbed glass panel with her hand pressed against it. Her profile and features are blurred, and she wears bracelets and a dark Salma Tahir sleeveless dress. The background and lighting are cool-toned.

Salma Tahir: Sculptural Fashion and Wearable Art

  • Connie Fletcher
A woman with long dark hair, wearing a white furry coat and white top, lies on a black surface and looks at the camera. The magazine cover reads COLD DIGITAL and simOne knows how to have fun.

sim0ne knows how to have fun

  • Jude Jones
A person dressed in all black sits on a chair inside a large, open black metal cube frame in a minimalist, white room. The person is in profile, wearing a tall hat, and appears contemplative.

Trauma Is Not a Metaphor at DZHUS

  • Lola Carron
KÁRYYN in theatrical makeup and costume, wearing a dark jacket with red cuffs, a white corset, blue skirt, and beige stockings, sits with hands in curly hair against a dark background.

KÁRYYN Wants to Hunt Dark Matter

  • Ioan Hazell
A painting by Hiroki Yagi of a yellow vase with white flowers sits on a dark table, hung on a light gray wall. Colorful, small, flower-shaped decorations are arranged on the wall to the right of the painting.

In Conversation with Hiroki Yagi

  • Ritamorena Zotti
A hand pours Aliena Coffee from a metal pitcher into a red cup and saucer on a wooden table, with a filter and coffee grounds visible in the lower left corner.

ALIENA Is Changing How Rome Tastes Coffee

  • Penelope Bianchi
A woman stands against a light-colored wall, wearing a long brown leather coat with a wide belt, white faux fur collar and cuffs, black tights, and brown heeled shoes. Her expression is neutral.

Studio Constance Sets the Bar for Luxury Brands

  • Isabel Seesarun
Two people sit in dramatic lighting at Transpose at the Barbican; one is seated while another leans over their shoulder, embracing them from behind. The dimly lit scene, with deep shadows, creates a tense and emotional atmosphere.

TRANSPOSE at the Barbican

  • Eoin Mccaul
Dan whitlam sits on a white bed in a vintage-style room with framed art and a fireplace. Dan Whitlam’s name appears on the image alongside the words COLD DIGITAL.

Dan Whitlam and the Art of Universal Truth

  • Jonny Cate
A woman stands in a worn, urban setting wearing asymmetrical beige and gray fabric by Jaoka Jaokha brand, draped around her body with white flowers strung along one side. She has a serious expression and wears black high-heeled shoes.

Jaoka Jaokha Transforms Latex Through Tattoo

  • Penelope Bianchi
A person wears a blue hijab, oversized blazer, and wide-leg pants, standing beside a mannequin styled in jackets and denim skirts. The chic indoor setting hints at Samah Sulyman designer flair with cream walls, a curtain, and white wardrobe.

Samah Sulyman: The Designer Transforming Denim

  • Isabel Seesarun

Rolf Ekroth on Fashioning the Nordic Dream

  • Henry Tuppen
Coca Puma sits cross-legged on the floor of a cozy, dimly lit room, playing a red keyboard surrounded by instruments, cables, vinyls, and warm ambient light.

Between Sound and Vision: The New Shape of Coca Puma

  • Ritamorena Zotti
Behind-the-scenes prosthetic monster design by Pierre-Olivier Persin for The Substance (2024), practical effects inspired by Cronenberg.

Why Cinema is Returning to Practical Prosthetics

  • Madelynne Flack
Sculptural cocoon dress from Karina Bond SS26 featuring translucent layered textures inspired by organic forms.

Karina Bond’s Lucid Universe

  • Penelope Bianchi

Mariana Enriquez: A Maiden Walking with Death

  • Valeria Berghinz

Dancing with a Former Self

  • Lauren Bulla
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