Our Favourite Food Scenes in Film

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Maggie Cheung’s character sitting in a dimly lit room in “In the Mood for Love,” conveying quiet heartbreak.

We Need to Yearn More than Ever: “In The Mood For Love” at 25

Poster for Jafar Panahi's Roman debut film 'It Was Just an Accident'.

Jafar Panahi’s Roman Debut: Introducing ‘It Was Just an Accident’

Scene from del Toro’s Frankenstein showing a woman facing the Creature in a gothic setting.

Guillermo del Toro, More Heroine than Monster

Mark Frost and David Lynch on the foggy Twin Peaks set.

Mark Frost on the Light, Dark, and Arcane Heart of Twin Peaks

Sabrina Sutherland and David Lynch inside a red-lit studio environment.

Sabrina Sutherland on the Women and Meditations of David Lynch

Header image for seven recommended horror films.

Seven Films to Watch Before October Ends

Still from 'Party Girl' featuring Parker Posey.

Parker Posey, New York and the ‘Un-Likeable’ Female Lead: “Party Girl” 30 Years On

Are We Bored of Climate Apocalypse?: On Kaiju and Ecology

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‘If the Actor Believes it, the Audience Believes it’: Cinema Returns to Practical Prosthetics

Blindfolded girl in pool from Dogtooth (2009)

The Pitfalls of Parenting: Dogtooth, Dogma, and Destruction

“Badnam Basti” and the Quiet Radicalism of Queer 70s Cinema

Teen boys boxing in stone courtyard under adult supervision, tigueraje training in Tiguere

Masculinity in the Making: A Conversation with José María Cabral

Annapurna Sriram in Fucktoys (2025)

Annapurna Sriram Gets Kinky for Her Debut Film “Fucktoys”

Young garment workers smiling in Zhili textile factory, Wang Bing’s Youth (Spring).

Youth, Persisting: In the Trilogy of Wang Bing

Screening of the film 'The Wicker Man' inside a Gothic church, with an audience seated in front of the large screen.

How Secret Ceremony Is Re-Imagining The Movie Night

Honouring African-American History in Ryan Coogler’s Sinners

A Spiritual Pornography: “Hardcore” at The Nickel Cinema

Iconic shot from Stephanie Rothman's 'The Velvet Vampire': a confident woman in a red jacket and black hat sits in a yellow convertible, embodying the film's feminist and countercultural spirit.

Stephanie Rothman: A Feminist Eye in ’70s Exploitation Cinema

Astronaut women in Doppelgängers3

Madness as Method in Nelly Ben Hayoun-Stépanian’s Doppelgängers3

People under cactus tree

Against All Odds: Resilience at the Barbican Chronic Youth Festival

Adolescence: Tragedy, Art, and the Manosphere

Miniature Hollywood

Joshua Oppenheimer’s The End: Between Musical and Mirror

Seeing Double: Why So Many Doppelgängers On Screen?

Telepathic Drugs, Tender Sex & Tequila: Guadagnino’s Latest Nightmare

Why Are We So Obsessed With Offices?

Filmmaker Sayna Fardaraghi on the Terrors
of Growing UP