Film and TV at The Cold Magazine. Directors and writers in conversation, festival dispatches from Venice to Berlin, and the releases shaping what a generation watches.
Since its release, filmmakers and revolutionaries alike have cited The Battle of Algiers as essential viewing to better understand contemporary anti-colonialist filmmaking, a handbook for colonial resistance.
In the world of Bloody Tennis, winning becomes a totalising mindset, pushing the girls to annihilate not only their opponents…
"I first saw Jarvis when I was at art school. There was a coffee bar close to where my school…
In mid-July, over a week’s worth of humid summer evenings in three of Yerevan’s Soviet-era cinemas were spent, while enduring…
“Don’t get tiny in your mind, don’t get tiny”: taking on the manosphere and disassembling it with cosmic abundance and…
“The mindset, which means how you work, what stories you want to tell, how you interpret reality”: Monica Bellucci won…
News that Charli XCX will star in and produce Japanese director Takashi Miike’s next film has surprised fans of both…
In writer-producer Nick Antosca’s reboot of Cape Fear, the Southern Gothic bogeyman gets a reset.
In 1996, the Cannes Film Festival opened to pouring rain.
Rebecca Zlotowski’s A Private Life, which premiered last year in Cannes, has finally arrived in the UK.
“In the Moonlight, Black boys look blue” is the title of Tarell Alvin McCraney’s unreleased play, a script that forms…
Israeli Defense Forces launched a series of deadly strikes in southern Lebanon on March 2, 2026, reigniting an ongoing war…
If you’ve seen the films of Agnès Varda, you love Varda.
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