A Cinematic Guide to Mothers

A Cinematic Guide to Mothers

‘Resurrection’ and the Grammar of Cinematic Dreams

A Love Letter To Claymation

Cold’s Literature & Film Editors on “Wuthering Heights”

Artifice of War: The Spectre of ‘Hors la vie’ and Maroun Baghdadi

Frames of Memory: Revisiting the Iranian New Wave at the Barbican

“It’s an Absurd World”: ‘100 Nights of Hero’ Director Julia Jackman

Aisling Franciosi is the “Guiding Light” in Sundance-winning ‘Twinless’

Talking Folklore with ‘Rabbit Trap’ Director Bryn Chainey

Marty Supreme: The Pursuit of Greatness in Style

Mulholland Drive at 25: What Do Writers, Critics and Academics Have to Say About the Best Film of the Century?

“Hamnet” is sweeping awards season. But why?

“Our Values Shouldn’t End at our Art”: In Conversation with Director Madeleine Hunt-Ehrlich

Cult Documentary ‘Dirty Girls’, Across the Years

On a Fascist Past and Present with ‘Fiume o Morte!’ Director Igor Bezinović

We Need to Yearn More than Ever: “In The Mood For Love” at 25

Jafar Panahi’s Roman Debut: Introducing ‘It Was Just an Accident’

Our Favourite Food Scenes in Film

Guillermo del Toro, More Heroine than Monster

Are We Bored of Climate Apocalypse?: On Kaiju and Ecology

Why Cinema is Returning to Practical Prosthetics

Party Girl and Parker Posey: “Party Girl” 30 Years On

Seven Films to Watch Before October Ends

Sabrina Sutherland on the Women and Meditations of David Lynch

Mark Frost on the Light, Dark, and Arcane Heart of Twin Peaks

Annapurna Sriram on Getting Kinky for her Debut Film “Fucktoys”

Filmmaker Sayna Fardaraghi on the Terrors of Growing Up

The Final Five Days of Bologna’s Il Cinema Ritrovato

Neo Sora on Friendship and Resistance in “Happyend”

Don’t Tap the Glass: Put Your Soul on Your Hand and Walk

In Conversation with “Paul and Paulette Take a Bath” director Jethro Massey

London’s Only Monthly FLINTA Film Series, Sapphic Cinema

Youth, Persisting: In the Trilogy of Wang Bing

The Coppola Effect

Beyond Reality at the St. Moritz Art Film Festival

“Badnam Basti” and the Quiet Radicalism of Queer 70s Cinema

A Spiritual Pornography: “Hardcore” at The Nickel Cinema

The Pitfalls of Parenting: Dogtooth, Dogma, and Destruction

Stephanie Rothman: A Feminist Eye in ’70s Exploitation Cinema

How Secret Ceremony Is Re-Imagining The Movie Night

Honouring African – American history in Ryan Coogler’s Sinners

A Conversation with Tiger director José María Cabral

Nelly Ben Hayoun-Stépanian’s Doppelgängers

CANNES’ COVER-UP

Against All Odds: Resilience at The Barbican Chronic Youth Festival

Adolescence: Tragedy, Art, and the Manosphere

Joshua Oppenheimer’s The End: Between Musical and Mirror

Seeing Double: Why Are We Seeing So Many Doppelgängers On Screen?

David Lynch — The King of Strange Surrealism

Why Are We So Obsessed With Offices?