CUM CLOSER
Cum Closer approaches proximity as an archival construct.
Atto 2/3: Col Tempo, a Conversation with Gallerists Alessia Caruso Fendi and Thierry Bigaignon
Col Tempo (“Over Time”), the second chapter of a three-part project at Rome’s rhinoceros gallery in collaboration with Paris’ Bigaignon gallery, deepens an inquiry into time as both a material and a conceptual force.
Vintage Porn, Sailor Moon, and Performance Art: ‘Abigail’s Party’ at Rose Easton Gallery.
In the opening to Mike Leigh’s Abigail’s Party (1977), we meet Beverly and Laurence – equal parts a parody of and a startlingly accurate depiction of the era’s British suburbanites.
The ‘Crude Hints’ of Charlotte Edey and Freddie Powell
Stepping into Crude Hints (Towards) at London’s No.9 Cork Street, the idea of an interior begins to unravel.
