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Inside the Trans Writing School Disrupting London Publishing

Inside the Trans Writing School Disrupting London Publishing

Not Another Holocaust Novel: Rebecca Birrell on Art, Survival, and Venus, Vanishing

Why Women Are Swapping Porn for Romantasy and Fairy Smut

Weird Books are Back: Cold’s Guide to the 2026 Booker Prize Longlist

Ann Scott’s Lesbian Cult Novel, ‘Superstars’, is Finally Available in English

Was Leonardo da Vinci Queer? Inside the History That Inspired Phil Melanson’s ‘Florenzer’

Divorce Can Be a Gift: Avni Doshi on Her Novel ‘The First House’

Gay Hookup Culture on Stage: Conor O’Dwyer on ‘Homo(sapien)’

Books to read in a heatwave

In Said the Dead, Doireann Ní Ghríofa Unearths an Irish Victorian Mental Hospital

These are our favourite indie bookshops in the U.K.

Do You Have Good Taste? Ione Gamble and ‘The Polyester Book of Bad Taste’ Have the Answer

Claire Daverley: Writing ‘People in Love’ Was Like ‘Real-Life Magic’

‘Bait’ Explores Desire, Boredom and Violence Through The Eyes Of A 13-Year-Old Girl

Want a Baby? Niamh Campbell Has a Message for You

Ten Books That Unravel Marilyn Monroe’s Life

This Literary Salon Celebrates Leeds’ DIY Music Scene in a Dive Bar

Jem Calder’s ‘I Want You To Be Happy’ is the Doom-Pilled Romance of Our Times

Did Emily Dickinson ever really die?

Reading the Season: Summer

In Other People’s Children, Faccini Unravels the Burden of Family Histories

Sending the First Cherokee Woman to the Moon with Eliana Ramage

Graeme Richardson: The Times’ Poetry Critic Has Finally Published His Own Collection

‘Dear Jack, Dear Louise’ Is the Best Date You’ll Never Go On

Eric LaRocca’s ‘Wretch’: ‘Queer Horror Is Filthy and Revolutionary’

The Coming-of-Middle-Age Novel

“Books Really are Creatures”: Fatima Bhutto on How Her Dog, Coco, Inspired ‘The Hour of the Wolf’

K-Pop Fans Raise Hell in ‘Holy Boy’ by Lee Heejoo

Novelist Sophie Mackintosh on the Allure of Adultery: “Sometimes It Is Beautiful To Have a Secret”

“How Can I Write About Violence Without Reproducing It?”: Michelle Steinbeck on Her Novel ‘Favorita’

Books That Made the Bunny Creepy

Lost Lambs: Sincerity Will Save Us All

“I’m glad that I didn’t grow up in a castle”: Nelio Biedermann on writing Lázár

Theatre For One at the Barbican

10 books to read for St. Patrick’s Day

Bitch Boxer Comes Out Swinging

In the House of Mozart: A review of Matthew McDonald’s debut poetry collection, ‘Gran Partita’

A Butterfly Flying With One Wing: Blinding: The Left Wing by Mircea Cărtărescu

Reading the Season: Spring

“It’s About People Trying to Love Each Other and Failing”: Madeleine Dunnigan on her debut novel ‘Jean’

“Love, or contempt, or both”: Laurie Kynaston on Man and Boy at the National Theatre

Cold’s 26 Most Anticipated Reads Of 2026

London’s Literary Scene: the Hottest Readings to Find a Lover Who Writes

Rebecca Perry on Her Debut ‘May We Feed the King’

Six Scottish Poets We’re Reading for Burns Night

TRANSPOSE at the Barbican

When I say “ban,” people ask, ‘What did you do?’

Babel Beast: a tour-du-monde in a one-woman cabaret

Reading in the Dark: Our Picks for Nonfiction November

Through the Portal: A Conversation with Dakota Warren

Mariana Enriquez: A Maiden Walking with Death

Olivia Kan-Sperling on Romance and Performance in her Little Pink Book

Łukasz Twarkowski’s “ROHTKO” at the Barbican is a Play about NFTs, AI Slop, and Authenticity

The Weight of Beauty: LACRIMA at The Barbican

British Theatre Can’t Quit the Past — And It’s Hurting the Future of the Stage

Wet, Wild, & Censored: Florentina Holzinger’s Pop Body Politics

Art for Everyone: Breaking Barriers at COLLABORATIONS 1.0

“Porcelain Cherries” Is a Triumphant, Post-Ironic Ode to Dating and Girlhood