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The Yasmin Era

The Yasmin Era

  • Aya Sofia Oppenberg
Ariel Berka's work for VBRA Venezia, in The Cold Magazine

Ariel Berka

Ondrej Bauman's work for VBRA Venezia, in The Cold Magazine

Ondřej Bauman

Anna Ringstad's work, in The Cold Magazine

Anna Ringstad

Annarosa Telatin's work for VBRA Venezia, in The Cold Magazine

Annarosa Telatin

Isaac Curiel3

Isaac Curiel

Marta Von Cranach's work for VBRA Venezia, in The Cold Magazine

Marta Von Cranach

Patro Giardinelli's work for VBRA Venezia, in The Cold Magazine

Patro Giardinelli

Pecoranera's work for VBRA Venezia, in The Cold Magazine

Pecoranera

Rtama's work for VBRA Venezia, in The Cold Magazine

Rtama

Marko and CLOSER Festival in Bosnia, in The Cold Magazine

Marko and the Making of CLOSER Festival in Bosnia

  • Sara Navarro and Bojan Zeric
Lavin Karakoc, interviewed by The Cold Magazine

Lavin Karakoc Finds Solace in Uncertainty

  • Madelynne Flack
Sabato De Sarno, Jacopo Benass on a stage in front of a screen displaying the words in corpo presente and the IED logo. Three red chairs are visible behind them.

Questioning the Body at IED Florence

  • Ritamorena Zotti
A woman with long nails poses dramatically behind a rain-streaked glass pane, with her mouth slightly open and hands pressed against the glass. The background is dark with hints of red light.

The Parties Rebuilding London’s Nightlife

  • Hannah Breen
A woman stands behind a frosted, ribbed glass panel with her hand pressed against it. Her profile and features are blurred, and she wears bracelets and a dark Salma Tahir sleeveless dress. The background and lighting are cool-toned.

Salma Tahir: Sculptural Fashion and Wearable Art

  • Connie Fletcher
KÁRYYN in theatrical makeup and costume, wearing a dark jacket with red cuffs, a white corset, blue skirt, and beige stockings, sits with hands in curly hair against a dark background.

KÁRYYN Wants to Hunt Dark Matter

  • Ioan Hazell
A painting by Hiroki Yagi of a yellow vase with white flowers sits on a dark table, hung on a light gray wall. Colorful, small, flower-shaped decorations are arranged on the wall to the right of the painting.

In Conversation with Hiroki Yagi

  • Ritamorena Zotti
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