The Party People Exhibit is a Euphoric Celebration of Nightlife
The Party People: Figures on the Dancefloor photography exhibit at the Roundhouse, north London, is a quiet redecoration of its…
Art and photography at The Cold Magazine. Exhibitions worth travelling for, archives worth reopening, and the artists and photographers changing how contemporary images are made and read.
The Party People: Figures on the Dancefloor photography exhibit at the Roundhouse, north London, is a quiet redecoration of its…
In a world of digitally facing content and the constant push toward online mediums (exclusively), the fate of print publishing…
Presented at Galleria n.51, the Project Room unfolds as a hushed, immersive setting shaped by Hiroki Yagi’s visual sensibility.
Upon attempting to dissect London’s vast creative scene and all its parts, it swiftly becomes apparent that many artists and…
Activity at the major fairs was bolstered by adjacent performances, installations, and strong institutional and gallery exhibitions.
Col Tempo (“Over Time”), the second chapter of a three-part project at Rome’s rhinoceros gallery in collaboration with Paris’ Bigaignon…
In the opening to Mike Leigh’s Abigail’s Party (1977), we meet Beverly and Laurence – equal parts a parody of…
Stepping into Crude Hints (Towards) at London’s No.9 Cork Street, the idea of an interior begins to unravel.
“Is society a shit show?” Ahead of his second solo show at London’s Carl Kostyál gallery, Callum Eaton’s answer is…
The Black Muse Art Festival in Benin City, Nigeria is a celebration of creativity, cultural traditions and modernity.
Over the last two years, the Hari Art Prize has become a highlight on emerging artists’ calendars across the UK.
These are the core themes that Chinese-born, London-based artist Xin Liu treads.
Anyone who has spent time navigating the art world understands how quickly opportunities can dissolve.