Fashion
The Ghosts of Lost Futures Haunt Anne Sofie Madsen’s AW26 Return
“It feels like institutions built after the world war, meant to prevent catastrophe, suddenly feel fragile.
Contributor
Gabriel Mealor-Pritchard writes about Fashion and Film & TV for The Cold Magazine.
7 stories · Since May 2025
Fashion
“It feels like institutions built after the world war, meant to prevent catastrophe, suddenly feel fragile.
Fashion
WHILST THE WORLD WAS OBSESSED WITH PERFECTION AND EXPOSURE, MARGIELA DEFIED CONVENTION WITH HIS AW95 RUNWAY, PRODUCING A COLLECTION THAT'S STILL SPOKEN ABOUT TO THIS DAY FOR ITS UNAPOLOGETIC APPROACH From…
Fashion
AT A TIME WHERE THE WORLD FOUND ITSELF AT A TURNING POINT BETWEEN THE ANALOGUE AND THE DIGITAL, JEAN PAUL GAULTIER'S AW1995 READY-TO-WEAR SHOW WAS EXACTLY WHAT THE PEOPLE NEEDED TO SPAN…
Fashion
It’s been a turbulent lead-up to Dario Vitale’s long-awaited debut at Versace, with audiences unsure of how his vision would align with one of Italy’s most iconic fashion houses.
Fashion
Although Maximilian Raynor titled his SS26 collection “I’ll Cry If I Want To,” the concept isn’t a plain sermon of sorrow.
Fashion
When fashion feels so fast-paced and the industry doesn’t quite give emerging designers the space that they always need to be showcased, UDGN steps in.
Film & TV
A ruckus has been caused across the media over the last week, as the Cannes Film Festival has issued a new dress code banning nudity and "excessively voluminous" garments, as stated in…
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