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MAGAZINE SUBMISSIONS

In the Wild – Femininity as Instinct: Veronika Butkevich

• Lauren Bulla
• December 25, 2025

Our Favourites From Miami Art Week 2025

• Katherine McMahon
• December 23, 2025

CUM CLOSER

• December 21, 2025

The ‘Crude Hints’ of Charlotte Edey and Freddie Powell

• Chloe Green
• December 21, 2025

Cult Documentary ‘Dirty Girls’, Across the Years

• Valeria Berghinz
• December 19, 2025

The Hari Art Prize is Celebrating London’s Emerging Artists

• Emma Gabor
• December 18, 2025

FROM SOMERSET TO THE WORLD: CLARKS – A VISUAL HISTORY 1825–2025

• Siobhan Lowe
• December 15, 2025

Momma at The Garage Islington

• Lauren Bulla
• December 12, 2025

FOLLOW.ART: A New Professional Tool for Artists and Curators

• Lauren Bulla
• December 12, 2025

Funk do Brasil: Mochakk takes us inside Belo Horizonte’s dark, addictive sound

• Jude Jones
• December 11, 2025

Waiting Outside Vivienne Westwood

• Luna O'Brien
• December 9, 2025

We Need to Yearn More than Ever: “In The Mood For Love” at 25

• Josh Osman
• December 5, 2025

A Review of Public Memory’s “Public Sword”

• Timothy Provenzano
• December 5, 2025

Lanvin: The Decline of a Luxury House

• Alexander Mays
• December 3, 2025

Babel Beast: a tour-du-monde in a one-woman cabaret

• Isabella Todini
• December 2, 2025

Jafar Panahi’s Roman Debut: Introducing ‘It Was Just an Accident’

• Henna Moussavi
• December 2, 2025

Reading in the Dark: Our Picks for Nonfiction November

• Lexi Covalsen
• December 2, 2025

10 of HEAD Genève’s Next New Talent

• Penelope Bianchi
• December 1, 2025

The Winter Cities of Yutaro Inagaki: Shaping Modern Isolation

• Rosie Callaghan
• November 29, 2025

Our Favourite Food Scenes in Film

• Louie Keight & Valeria Berghinz
• November 27, 2025

Finders Keepers: Ordinary Artefacts of Collective Memory

• Lauren Bulla
• November 27, 2025

Guillermo del Toro, More Heroine than Monster

• Arianna Muñoz
• November 25, 2025

The Joy Must Grow: Inside the World of Tomas Gittins

• rosie Callaghan
• November 24, 2025

The Semiotics of Pets: PEDIGREE at OHSH Projects

• Zlata Mechetina
• November 24, 2025

Vori is a Modern Taverna Done Right

• Penelope Bianchi
• November 20, 2025

Inside Bonnie Banane’s Dystopian Music Video “Hoes of Na”

• Vaishnavi Pandey
• November 18, 2025

Our Favourites from Frieze Week 2025

• November 12, 2025

Are We Bored of Climate Apocalypse?: On Kaiju and Ecology

• Louie Keight
• November 10, 2025

6 Portuguese Designers To Watch (ModaLisboa Edition)

• Penelope Bianchi
• November 10, 2025

10 London Painters on Painting Today

• Anna Moss
• November 2, 2025

Everything to See at Artissima

• Joshua Beutum
• October 30, 2025

Party Girl and Parker Posey: “Party Girl” 30 Years On

• Madelynne Flack
• October 23, 2025

Seven Films to Watch Before October Ends

• Valeria Berghinz
• October 23, 2025

Humping Grass and Exposing the Sacred: A Night with Marina Abramović.

• Rosie Callaghan
• October 23, 2025

Rick Owens SS26: the “Temple” of chthonic goddesses

• Alberto D'Agnano
• October 14, 2025

The New, Old McQueen

• Annie Gale
• October 14, 2025

A Runway of Desire: Haider Ackermann for Tom Ford

• Annie Gale
• October 12, 2025

The Dior Dare: Jonathan Anderson’s Opening Act

• Rosie Callaghan
• October 8, 2025

A Sanctuary for the Strange: The World of Matières Fécales

• Annie Gale
• October 8, 2025

Louis Vuitton Spring/Summer 2026: The Comforts of Intimacy

• Rosie Callaghan
• October 8, 2025

Meet Timisola Shasanya: The Designer Rethinking Migration in Fashion

• Penelope Bianchi
• October 8, 2025

Mollies, Cock Queens, and Sodomites: The World of Queer Georgians

• Toby Wesselingh
• October 7, 2025

Ferragamo SS26: A Love Letter to the 1920s

• Isabel Seesarun
• October 6, 2025

Ferrari SS26 at Milan Fashion Week: Precision in Reduction

• Rosie Callaghan
• October 6, 2025

Vitale’s Versace Is A Sexy Sight For Sore Eyes

• Gabriel Mealor-Pritchard
• October 6, 2025

Reconstructing Uniform : Prada SS26 at Milan Fashion Week.

• Rosie Callaghan
• October 6, 2025

Between Sport and Seduction: KNWLS Debuts at MFW

• Annie Gale
• October 5, 2025

A Farewell to Fendi

• Isabel Seesarun
• October 5, 2025

Jil Sander SS26: The Quiet Power of Minimalism

• Henry Tuppen
• October 2, 2025

Jean Louie Castillo: Tormentor and the Return of Goth

• Penelope Bianchi
• October 1, 2025

 Jenn Lee SS26: Ten Years of Elegance with Fangs

• Lola Carron
• October 1, 2025

Irish Pop Idol Morgana is an Unhinged Drama Queen

• Maya Sall
• October 1, 2025

HARRI SS26: A Latex Dream Breathes

• Alex Bäuml
• September 29, 2025

Maximilian Raynor Will Cry If He Wants To For SS26

• Gabriel Mealor-Pritchard
• September 29, 2025

UDGN Upholds Emerging Designers Once Again at LFW

• Gabriel Mealor-Pritchard
• September 27, 2025

In Dover with ‘SOS SKYN’

• Joshua Beutum
• September 26, 2025

The Final Five Days of Bologna’s Il Cinema Ritrovato

• Carolina Vlachakou & Giannis Tosios
• September 25, 2025

The Messy, Magnificent Chaos of Lyas’ LFW Watch Party

• Arianna Muñoz
• September 25, 2025

Yaku: The Impossible Family Reunion in RPG Space, Chapter 6

• Henry Tuppen
• September 24, 2025

Rags & Threads: Inside Malon’s MFW Debut

• Rosie Callaghan
• September 15, 2025

Ralph Lauren SS26: American Style’s Legacy

• Alberto D'Agnano
• September 12, 2025

Fashion Has to Use Nostalgia as a Lens, Not a Crutch

• Lola Carron
• September 12, 2025

Don’t Tap the Glass: Put Your Soul on Your Hand and Walk

• Arianna Muñoz
• September 9, 2025

The Five Essential Jehnny Beth Tracks

• Timothy Provenzano
• September 8, 2025

Youth, Persisting: In the Trilogy of Wang Bing

• Louie Keight
• September 3, 2025

Notting Hill Carnival is Resistance, Legacy, and Vibes

• Rosie Callaghan
• September 2, 2025

The Coppola Effect

• Annie Gale
• September 1, 2025

British Theatre Can’t Quit the Past — And It’s Hurting the Future of the Stage

• Olivia Tallulah
• August 28, 2025

Beyond Reality at the St. Moritz Art Film Festival

• Valeria Berghinz
• August 23, 2025

Milena Naef: The Artist Who Carves Absence

• Penelope Bianchi
• August 16, 2025

Genaro Rivas SS26: A Feast for Crows

• Henry Tuppen
• August 10, 2025

Brother_LDN is the Archive Store Reimagining Creative Community

• Joshua Beutum
• August 10, 2025

Flesh and Blood and Steel: On Nine Inch Nails’s Trent Reznor

• @geniusbadia
• August 10, 2025

“Badnam Basti” and the Quiet Radicalism of Queer 70s Cinema

• Florence Ingleby
• August 6, 2025

A Spiritual Pornography: “Hardcore” at The Nickel Cinema

• Louie Keight
• August 5, 2025

The End of the World as We Know it: Apocalypse Narratives as Salvation

• Louie Keight
• July 31, 2025

Wet, Wild, & Censored: Florentina Holzinger’s Pop Body Politics

• Lydia McKimm
• July 26, 2025

“moisturizer”by Wet Leg: Sex & Kinetics Make For A Kinky, Bracing Return

• Johnatan Cate
• July 25, 2025

The Pitfalls of Parenting: Dogtooth, Dogma, and Destruction

• Lily Ward
• July 24, 2025

Dream Meanings: How Ancient Symbols Shape Fashion, Culture, and the Unconscious

• July 23, 2025

The Anti-Algorithm Wardrobe: How Curated Second-Hand Boxes Offer an Escape from the Endless Trend Cycle

• Lola Carron
• July 22, 2025

Film and Fashion Converge at Castel Sant’Angelo for Dolce & Gabbana’s 2025 Alta sartoria presentation

• Annie Gale
• July 21, 2025

Stephanie Rothman: A Feminist Eye in ’70s Exploitation Cinema

• Valeria Berghinz
• July 14, 2025

A Voice Amplified: Love Chuck. The New Wave of European Creativity Comes Together in London

• Sara Belkadi
• July 14, 2025

How Secret Ceremony Is Re-Imagining The Movie Night

• Valeria Berghinz
• July 12, 2025

The Metaverse is a feeling, not an infrastructure

• Toby Wesselingh
• July 11, 2025

Back to the Future: Schiaparelli’s Haute Couture time warp

• Alberto D'Agnano
• July 10, 2025

Decentralized, Disruptive, Designed: The STADION Vision

• July 9, 2025

Form Over Flash: Prada’s Minimalist Masterclass

• Annie Gale
• June 23, 2025

Yoshitomo Nara’s Twisted Cuties Are the Art Show of the Summer

• Jude Jones
• June 19, 2025

Martine Rose SS26: Ambient, Straight to the Point

• Lola Carron
• June 18, 2025

Honouring African – American history in Ryan Coogler’s Sinners

• Florence Ingleby
• June 15, 2025

 Nelly Ben Hayoun-Stépanian’s Doppelgängers

• Joshua Beutum
• June 2, 2025

CANNES’ COVER-UP

• Gabriel Mealor-Pritchard
• May 25, 2025

Teaspoon Projects in Evolving the Art Experience

• Sandy Aziz
• May 21, 2025

Meet Rosa Cecilia: The Songstress on the Cusp of a New Era

• Joshua Beutum
• May 20, 2025

Against All Odds: Resilience at The Barbican Chronic Youth Festival

• Valeria Berghinz
• May 20, 2025

A Horse With No Name: Sasha Elage, Addison Rae, and the issue of the ‘Reference’

• Lily-Rose Morris-Zumin
• May 13, 2025

The 2025 Met Gala: Honoring the Legacy of Black Dandyism

• May 7, 2025

Adolescence: Tragedy, Art, and the Manosphere

• April 25, 2025

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