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COLD

Ruby Roberts is an artist of dreamlike spontaneity

  • Jack Dennison-Thompson

Lavin Karakoc Finds Solace in Uncertainty

  • Madelynne Flack
A creative shot of Grace Ives seen through a keyhole-like frame, showing her reflection in a bathroom mirror while she applies makeup.

Grace Ives on Losing Yourself and Dancing Anyway

  • Róisín Teeling
A grainy black and white portrait of The Hellp members posing against a white brick wall, showcasing their signature indie-sleaze and electronic punk aesthetic.

The Hellp: Fame is a Double-edged Sword

  • Joshua Beutum, introduction by Jude Jones

Theatre For One at the Barbican

  • Eoin McCaul

Playing Favourites at Zapote

  • Valeria Berghinz
Sabato De Sarno, Jacopo Benass on a stage in front of a screen displaying the words in corpo presente and the IED logo. Three red chairs are visible behind them.

Questioning the Body at IED Florence

  • Ritamorena Zotti
Two women sit facing each other on black chairs in front of red curtains. One wears a black dress with a white collar, the other a white textured dress with black details—echoing the chic contrast of Milan Loves Seoul.

Three Brands You Should Know: Milan Loves Seoul

  • Henry Tuppen
A shirtless person with extensive tattoos on their chest, arms, and torso is standing and pulling up blue jeans, partially unzipped, against a plain light background.

Karmine Against the Clean

  • Soria Nicholson
A woman stands behind a frosted, ribbed glass panel with her hand pressed against it. Her profile and features are blurred, and she wears bracelets and a dark Salma Tahir sleeveless dress. The background and lighting are cool-toned.

Salma Tahir: Sculptural Fashion and Wearable Art

  • Connie Fletcher
A woman with long dark hair, wearing a white furry coat and white top, lies on a black surface and looks at the camera. The magazine cover reads COLD DIGITAL and simOne knows how to have fun.

sim0ne knows how to have fun

  • Jude Jones
A person dressed in all black sits on a chair inside a large, open black metal cube frame in a minimalist, white room. The person is in profile, wearing a tall hat, and appears contemplative.

Trauma Is Not a Metaphor at DZHUS

  • Lola Carron
KÁRYYN in theatrical makeup and costume, wearing a dark jacket with red cuffs, a white corset, blue skirt, and beige stockings, sits with hands in curly hair against a dark background.

KÁRYYN Wants to Hunt Dark Matter

  • Ioan Hazell
A painting by Hiroki Yagi of a yellow vase with white flowers sits on a dark table, hung on a light gray wall. Colorful, small, flower-shaped decorations are arranged on the wall to the right of the painting.

In Conversation with Hiroki Yagi

  • Ritamorena Zotti
A hand pours Aliena Coffee from a metal pitcher into a red cup and saucer on a wooden table, with a filter and coffee grounds visible in the lower left corner.

ALIENA Is Changing How Rome Tastes Coffee

  • Penelope Bianchi
A woman stands against a light-colored wall, wearing a long brown leather coat with a wide belt, white faux fur collar and cuffs, black tights, and brown heeled shoes. Her expression is neutral.

Studio Constance Sets the Bar for Luxury Brands

  • Isabel Seesarun
Two people sit in dramatic lighting at Transpose at the Barbican; one is seated while another leans over their shoulder, embracing them from behind. The dimly lit scene, with deep shadows, creates a tense and emotional atmosphere.

TRANSPOSE at the Barbican

  • Eoin Mccaul
Dan whitlam sits on a white bed in a vintage-style room with framed art and a fireplace. Dan Whitlam’s name appears on the image alongside the words COLD DIGITAL.

Dan Whitlam and the Art of Universal Truth

  • Jonny Cate
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