KÁRYYN in theatrical makeup and costume, wearing a dark jacket with red cuffs, a white corset, blue skirt, and beige stockings, sits with hands in curly hair against a dark background.
A painting by Hiroki Yagi of a yellow vase with white flowers sits on a dark table, hung on a light gray wall. Colorful, small, flower-shaped decorations are arranged on the wall to the right of the painting.
A hand pours Aliena Coffee from a metal pitcher into a red cup and saucer on a wooden table, with a filter and coffee grounds visible in the lower left corner.
A woman stands against a light-colored wall, wearing a long brown leather coat with a wide belt, white faux fur collar and cuffs, black tights, and brown heeled shoes. Her expression is neutral.
Two people sit in dramatic lighting at Transpose at the Barbican; one is seated while another leans over their shoulder, embracing them from behind. The dimly lit scene, with deep shadows, creates a tense and emotional atmosphere.
Dan whitlam sits on a white bed in a vintage-style room with framed art and a fireplace. Dan Whitlam’s name appears on the image alongside the words COLD DIGITAL.
A woman stands in a worn, urban setting wearing asymmetrical beige and gray fabric by Jaoka Jaokha brand, draped around her body with white flowers strung along one side. She has a serious expression and wears black high-heeled shoes.
A person wears a blue hijab, oversized blazer, and wide-leg pants, standing beside a mannequin styled in jackets and denim skirts. The chic indoor setting hints at Samah Sulyman designer flair with cream walls, a curtain, and white wardrobe.
Coca Puma sits cross-legged on the floor of a cozy, dimly lit room, playing a red keyboard surrounded by instruments, cables, vinyls, and warm ambient light.
Behind-the-scenes prosthetic monster design by Pierre-Olivier Persin for The Substance (2024), practical effects inspired by Cronenberg.
Sculptural cocoon dress from Karina Bond SS26 featuring translucent layered textures inspired by organic forms.
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